Last year, the Rubin Museum invited me to write a very short story for publication in their magazine, Spiral, on the theme of “The Future as an Ever-Renewing Now”. I said I was interested in writing something about water, climate change, and cycles, compressed into their required wordcount. As I wrote, the assignment evolved — and I ended up writing two pieces, one of which is a more straightforward translation of the other, both of which Spiral wanted to publish.
“Time, Like Water” came first; “As Above” came second.
In the first one’s case, I’m especially grateful to Annalee Flower Horne and Caitlyn Paxson for their input; in the second, two hours spent in the quiet company of Derek Künsken, Nicole Lavigne and Brandon Crilly produced the fastest rewrite ever.
I hope you enjoy them!
My second column for the NYT Book Review is up! I look at Daniel Mallory Ortberg’s The Merry Spinster, Aliette de Bodard’s The Tea Master and the Detective, Kelly Robson’s Gods, Monsters, and the Lucky Peach, and Tessa Gratton’s The Queens of Innis Lear.
I could’ve happily talked about most of these for paragraphs more — especially Ortberg’s — but I quite heroically kept to prescribed wordcount.
I’m pulling back from social media for the next two months to focus on academic work. I’ll check email and approve blog comments, but that’s it. If you’re reading this on Twitter or Facebook, it’s a crosspost; I won’t see your replies on those sites until I’m back.
I’ve never taken a break this long — the longest I’ve done in the past was one month — but it’s necessary, and I hope to keep to it. In the past I’ve broken hiatus to promote things, but always kind of regret it, so I expect to just crosspost from here as necessary.
In the meantime you can sign up to my newsletter to keep up with where I’ll be or sign up to my Drip to get new essays, poems and reviews as soon as they happen.
Take care, friends — especially those of you struggling with ice storms in southern Ontario right now. May this discontented winter be made glorious spring, and the dreadful wind and rain pass without harm.
There are only 21 hours left to become a Founding Member of my Drip account! Here’s what you get by so doing:
- An exclusive poem for you, called “Foundations”
- First crack at switching into limited edition tiers when spots open up
- A review of Sarah Rees Brennan’s In Other Lands
And, as of this moment
- You’ll be entered into a giveaway for a signed chapbook of “The Truth About Owls”!
These chapbooks were printed as promotional material for Great Jones Street, a short fiction app which recently closed up shop. I was given 15 of these chapbooks, but I don’t know whether any others were ever printed, so as far as I can tell this is an extremely limited piece of ephemera.
The last line of the story is in Arabic, but was misprinted — so in addition to my signature you’ll get to see what my hand-writing looks like in Arabic as I correct it. (It’s … Not calligraphic, let’s leave it at that.)
IN ADDITION to that —
- If we hit 150 subscribers before this Founding Period ends (we’re at 137 right now), I’ll give away 2 chapbooks.
- For every founding member above 150, I’ll give away a signed broadsheet of a bilingual poem printed on an antique letter press.
This too is ephemera — it has a complicated backstory, but in brief, it was written in French for Con or Bust, I translated it into English for my Livejournal followers back in the day, and both versions of the poem were going to be in a letterpress project that had to be backburnered — but the publisher, Saira Ali, gave me a bunch of these sheets that had already been printed along with their blessing to use them for promotions and stuff. The only other way to obtain one of these is to bid on it in Con or Bust’s upcoming auction.
So! If any of the above appeals, I hope you’ll subscribe! And many, many thanks to all of you who’ve already done so, or boosted the signal in any way — I’m deeply grateful.
What it says on the tin!
So last week I launched a Drip account, a subscription service affiliated with Kickstarter. Now Drip’s invited me to do an AMA with them on Twitter next week! (If you’ve never taken part in such a thing, it stands for Ask Me Anything.)
Given how quickly things on Twitter tend to zip by, you can get your questions in early by submitting them through this form. The fine folks at Drip will then administer them, so I’ll always be responding to a question they’re asking, which should help keep everything readable, manageable, and moving along! I look forward to hearing from you!
In related news — I’m so grateful to everyone who’s subscribed! I’m still a little stunned by how quickly the Ivory-Billed Woodpecker tier filled up, but all the others are unlimited, and involve varying degrees of participation in choosing what I read/write about next.
And of course, if you sign up before April 6, during my Foundational period, you’ll also get a villanelle called “Foundations” written specially for subscribers, which I hope you’ll enjoy.
Posted in Uncategorized
So today’s the first day of 2018’s first Mercurial Retrograde. Let’s skip the part where you’re an eminently sensible person who doesn’t believe in such nonsense; Mercury’s Retrograde believes in YOU. It believes in your capacity to miss deadlines, travel poorly, succumb to accidents, and drastically miscommunicate with your fellows, and it is here to support you in all these endeavours.
In other words, it’s the perfect day to launch a subscription service!
(There’s even a video I recorded at great cost to my personal well-being because as it turns out I can listen to myself speaking without any problems but watching myself is a sea-bridge too far. I HAVE A FACE? IT MOVES? AUGH.)
$2 CAD a month gets you access to everything I’ll write there, with higher tiers at $5, $7 and $12 giving you voting and nominating powers over what I read/discuss next. The next 15 days are the Foundational period, which gives you additional now-and-future perks: if you subscribe to any tier during this time, you’ll also get a poem I wrote specifically for subscribers and this project, called “Foundations.”
A last note about the $12 tier, because it’s a little special: it gets you a yearly postcard from the Oracle of Buses, a mantle I put on when I’m on a bus and feeling especially liminal, containing an answer to a question you haven’t asked.
But it’s limited, and there are only
4 3 spots left, so check it out soon if you can!
I wrote a public post about the project here, about the need I feel right now to dive into slower, deeper work; I’d welcome your thoughts and feelings on the matter. There’ll be more such posts during the next couple of weeks too.
Happy day after the Vernal Equinox (in the Northern Hemisphere), friends! I hope you all felt empowered to Skip Leg Day.
I’ve got a ton of academic work to get through between now and June, so I’m very sad to say that I won’t be at Wiscon or the Nebulas this year (in spite of how wonderful the guests and programming look, gah, you should absolutely go!). But I will venture out of Ottawa for the following events:
April 29: Blue Metropolis Festival, Montreal
I’ll be on a panel with Su Sokol, Melissa Yuan-Innes, and David Demchuk talking about Mary Shelley and SFF!
May 4-6: Penguicon
This will be my first ever Penguicon! It’s been recommended to me for years and years, and I’m delighted to have been invited to be a Guest of Honour along with so many excellent people, including Mary Robinette Kowal, Mary Anne Mohanraj and Mark Oshiro, all of whom I’m very excited to get to see and spend time with.
May 24-27: Wakefield Writers Festival
I’m really looking forward to taking part in a localish festival, especially one to which I’ve also never been before — details as they develop!
July 5-8: CONvergence
LIKEWISE so excited to go to CONvergence again! It was my very first GoH experience ever, back in 2016, and I’m deeply touched that they’ve invited me back for their 20th anniversary gueststravaganza. It’s an absolutely amazing con run by brilliant, dedicated, generous people, and I highly recommend it.
My first column for the NYTBR is here! The print version will be in this week’s Sunday edition. In it I review Del and Sofia Samatar’s Monster Portraits, Subterranean Press’ Weight of Words anthology, and Jo Walton’s Starlings.
Here’s a taste:
More than any other genres, I think, science fiction and fantasy are in constant conversation with their past, present and future. Entering those worlds as a child meant growing into an awareness of how deeply they depend on a kind of exchange between readers and writers — almost inevitably, new works of science fiction and fantasy inherit a sense of engagement, whether it shows up as homage, critique or collaboration. Three recent books of short fiction, each of them fantastically hybrid, join the conversation and demonstrate just how overt its dynamics can be.
Of the three books, the one I’m most passionate about discussing is Monster Portraits–it took a lot of wrangling to make my feelings about that book into something intelligible. So if you’re in the mood to do me a personal favour, please pick up a copy, read it, and join me in flailing about it in an attempt to interpret my emotions through dance.
This column will appear every 8 weeks, so look for the next one towards the end of April! So many great books coming out between now and then!
Posted in Uncategorized
Tagged caitlin r kiernan, catherynne m valente, column, dave mckean, del samatar, jo walton, joe hill, maria dahvana headley, nytimes, review, reviewing, sofia samatar
Oyez! I’m going to be in DC tomorrow through Friday doing some really neat public events that it’d be great if you could come to!
Wednesday, Feb 14
4:30 PM – 5:30 PM EST
4450 Wisconsin Ave. NW
“The Canadian Embassy, the Ottawa Writer’s Festival and DC Public Library are proud to present S.K. Ali, Amal El-Mohtar and Canisia Lubrin.These Canadian authors will read excerpts from their work and speak on their experiences as writers. The event will take place in the large conference room and is open to teens and adults.”
Thursday, Feb 15
7:00 PM – 9:00 PM EST
IA&A at Hillyer
9 Hillyer Court Northwest
“Join us for our February Culture Blast featuring five Canadian writers who will each read an excerpt from their writing, followed by a moderated discussion on the importance of culture and stories to an open and vibrant democracy. Featured authors include Canisia Lubrin, S.K. Ali, Cherie Dimaline, Amal El-Mohtar, and Aviaq Johnston. The conversation will be moderated by Matthew Davis.”
A couple of reviews I wrote went up on NPR these last couple of weeks! Here are samplings of them:
Binti: The Night Masquerade by Nnedi Okorafor
The Night Masquerade picks up where Home left off, with Binti learning, through her newly enhanced senses, that her home — and her dear friend Okwu, a jellyfish-like alien from a race called the Meduse — is under attack from the Khoush, Earth’s dominant ethnicity and the Meduse’s ancestral enemies. With the help of her new friend Mwinyi — a member of her father’s people, the Enyi Zinariya — she navigates the desert while plagued with nightmares of violence, knowing she must find a way to broker a peace once and for all. But Binti’s story is nothing quite so straightforward.
This is Not a Love Letter by Kim Purcell
Every now and then I read an article or essay musing about whether or not young adult literature is “too dark” — whether there’s too much sex, too much violence, too much sadness. The premise of these essays is usually that teenagers exist in some pristine unspoiled state until they pick up a book about drug use or self-harm that makes them unhappy.
This is of course not the case — and I’m glad that Kim Purcell’s This is Not a Love Letter exists for teenagers who have to look after their parents, navigate hostile social environments, and cope with trauma.
That’s that for now — towards the end of this month I’ll be covering Tess of the Road by Rachel Hartman, and around the same time my first Otherworldly column for the New York Times should appear. Things! Stuff! So much things, so many stuff!